Updated with Photos (April 12)
February 19, 2015
The girls have different school schedules. Rose is on holiday all week; Lauren is not. One of the great things about last year’s travel was that we were all on the same calendar. I miss it.
We arrived BsAs after a reasonable night’s sleep aboard the American Airlines cattle car. We had booked an apartment just outside the trendy Palermo Soho area through AirBnB and our hosts arranged for transport from the airport for us. One of the great benefits of using AirBnB is that you get a local’s perspective on restaurants and the goings on about town. And in our case, we got a little extra as well with the transportation pre-arranged and a reliable reference for making a currency exchange. Friendly and gracious, Andy commented that it was like meeting up with people you’ve known your whole life!
We spent the first day settling in and getting straight to business with Argentine beef: a burger at mid-day and steaks at night (Argentinians eat lunch at 2pm and dinner at 10pm). Sunday we explored our neighborhood and El Ateneo Splendid, an old theater transformed into a bookstore. It is Carnival so local businesses are closed for holidays but the streets are busy from midnight to 3am with drumming and singing and dancing – or so we heard! We didn’t stay up long enough to find out.
On Monday we saw an exhibition at MALBA on the Argentinian artist Berni. Berni’s early period included work on Mexican murals with Sequieros (sp?) which later tied in to the street art tour we took. Berni is known for New Realism and his xylo-block print work. Imagine a block print that leaves behind three-dimensional prints (bas relief block printing). These photos are inadequate and perhaps their inadequacy will inspire you to look for better images elsewhere. Juanito, a boy from the slums, and Ramona, an exploited girl, are examples of this New Realism and the way I understood it, Berni took realism and added to it items that these characters might find in their daily lives and placed them into the artwork — nails, steel wool, bottle caps, fragments of lace. So not just a painting of people whose cheeks are hollow and their skeletons wasting, but the remnants of the work they might have done that day, bottling, building, selling themselves. I may not have this right so please, Lisa P or Leonard R or Marsha LT, correct me.
After MALBA, we took GraffitiMundo’s street art tour (thank you Rob for recommending it). We’ve now seen street art in several cities – Melbourne, Paris, Brussels, Berlin, London, Buenos Aires. I like different aspects from each city. In Melbourne, a playful sensibility. In Paris, small discrete characters like space invader and the stop sign guy. In Berlin, I liked the political messaging and the city’s embrace of street art as an important art form. In BsAs, I like the scale of the work and the fact that the street art movement includes artists from all economic classes: architects, graphic artists, illustrators, set designers, etc. As our guide explained, these are people who have comfortable lives and yet they risk it to bring art to the general public. (Of course, how illegal can it really be if the politicians commission their own artists to paint their names along walls in their party’s colors. And by “party” one could easily relate party to which soccer team one favors.)
These are the largest format murals we’ve seen and they often honor the father of public art here, Benito Quinquela Martin. Sometimes they tell the story of Argentina’s disappeared (thousands of people presumed murdered by prior regimes) or poke at political issues. The largest ones here are by Pastel, Mart and Jaz and BLU.




BLU is powerful and his work is in several cities. I posted this one on Instagram in Berlin. Caption at the top says Reclaim Your City and the unmasking of brothers is a reference to East and West Berlin and reunification of Germany.

BLU’s image of roasting humans is extraordinary. My photo doesn’t show it well so here is the one from Blu’s website: http://blublu.org/sito/walls/2011/big/027.jpg
And this one I posted on Instagram while on the GraffitiMundo tour.


Finally, take a look at this piece and think about it. What do you think it represents?
my image:
Blublu.org‘s image: http://blublu.org/sito/walls/2011/big/029.jpg
Is the humanity coming apart? Is it coming together, uniting?
Getting to know the artists and their work, one gets to know more about the culture and ethos of a place. Blu’s grandfather lived here in Argentina during the time that workers were organizing and unionizing. This piece is painted on the headquarters of that organization. This piece may reflect the unionizing of that era.
The other dominant news right now is the “suicide” by the prosecutor in a case alleging that the current President covered up the involvement of a foreign country in the bombing of two Jewish buildings in BsAs in 1994. A large demonstration took place in front of the Casa Rosada (the Pink House is their version of the White House). Talking to locals, watching the news, reading the papers the only thing that is clear is that the situation here is very complicated and polarizing. The views range from faulting the President to faulting an overly powerful judiciary. It was the Iranians. No it was the Syrians. No matter how I try to describe here in my notes what seems to be going on, I feel like I’m wearing a Yankee cap in the Red Sox bleacher section or for futbal/soccer fans a Boca Shirt at a River Plate match. Even if I understand the sport somewhat, I have no understanding of what it means to be a diehard member of either camp. And the power and politics here have swung fiercely between camps in the last 100 years.
We spent an afternoon on a walking tour of Jewish history in Buenos Aires. The immigration of Jews during the Spanish and Portuguese expulsions in 1600s and during the Holocaust. Buenos Aires’s jewish community is very diverse and there are hundreds of synagogues large and small. Our guide explained the unification of Argentina’s early merchant classes with the ranchers, the Peronist era, the violence and corruption of the 60s-90s. We saw the Recoleto Cemetary with its ornate mauseleums including Evita’s and the founding father equivalent of Washington, Guido. Teatro Colon and a tango show. (LandingPad Buenos Aires was a good source for guides and tours.)
Note: In looking for images on the blog, I read that in December Blu erased the wall in Berlin leaving only “Your City”. Even the erasing leaves a message. http://i.imgur.com/nzOacKm.jpg
Another Note: When we get home, I’m going to take a tour in NYC as it seems so silly that I haven’t already done so. (Though, I never saw Alcatraz when I lived in SF either.)
Here are the best of the photos from the trip:


























































